Born James Harris, the Arkansas native moved to Chicago at age seven. Admiring the style of Sonny Boy Williamson, Harris gradually learned the rudiments of the harp but didn't try his hand at entertaining professionally until 1955. Harris made his bow on vinyl in 1958 for the newly formed Artistic subsidiary of Eli Toscano's West Side-based Cobra Records. His only Artistic 45, "Call Me If You Need Me"/"Roll Your Moneymaker," was produced by Willie Dixon and featured Sam and Syl Johnson on guitars. The uncompromising Chicago mainstream sound of that 45 contrasted starkly with Jake Harris's next studio project. Prestige's Bluesville subsidiary paired him with a pair of jazzmen -- guitarist Bill Jennings and organist Jack McDuff -- in 1960 for a full album, Good Times (the unlikely hybrid of styles working better than one might expect). The harpist encored later that year with Mouth Harp Blues, this time with a quartet including Chicagoan Jimmie Lee Robinson on guitar and a New York rhythm section (both of his Bluesville LPs were waxed in New Jersey). Jake Harris and Magic Sam remained running partners for much of the 1960s. They shared bandstands at fabled West Side haunts such as Sylvio's -- where he was captured on tape in 1966 singing "Sawed Off Shotgun" and "Dirty Work Goin' On" (now available on a Black Top disc by Sam) -- and Big Bill Hill's Copacabana before Harris moved to Los Angeles in the late '60s. He recorded for World Pacific and briefly owned his own nightclub and record label before returning to Arkansas (where he died in 1990).