Tuesday, December 23, 2014

Albert Collins - There's Gotta Be A Change

Born in Leona, Texas, Collins was a distant relative of Lightnin' Hopkins and grew up learning about music and playing guitar. Throughout the 1940s and 1950s, he absorbed the blues sounds and styles from Texas, Mississippi and Chicago. His style would soon envelope these sounds.
He formed his first band in 1952 and two years later was the headliner at several blues clubs in Houston, Texas. By the late 1950s, he chose the Fender Telecaster as his equipment and developed a unique sound featuring minor tunings, sustained notes and an "attack" fingerstyle. He also frequently used a capo on his guitar, particularly on the 5th, 7th, and 9th frets. Collins began recording in 1960 and released singles, many instrumentals such as "Frosty". In the spring of 1965 he moved to Kansas City and made a name for himself.
Many of Kansas City's recording studios had closed by the mid 1960s. Unable to record, Collins moved to California in 1967. He settled in San Francisco and played many of the venues popular with the counter-culture. After playing a gig with Canned Heat, members of this band introduced him to Liberty Records. Collins was signed and released his first LP album on Imperial Records, a sister label, in 1968.
Collins remained in California for another five years, and was popular on double-billed shows at the Fillmore and the Winterland. Collins moved back to Texas in 1973 and formed a new band. He was signed to Alligator Records in 1978 and recorded and released Ice Pickin'. He would record seven more albums with the label, before being signed to Pointblank Records in 1990.
Throughout the 1980s and early 1990s, Collins toured the United States, Canada, Europe and Japan. He was becoming a popular blues musician and was an influence for Robert Cray, Debbie Davies, Stevie Ray Vaughan, Jonny Lang, Susan Tedeschi, Kenny Wayne Shepherd, John Mayer and Frank Zappa.
His genius was acknowledged by the music world in 1983, when he won the W. C. Handy Award for his album Don't Lose Your Cool, which won the award for best blues album of the year. In 1985, he shared a Grammy for the album Showdown!, which he recorded with Robert Cray and Johnny Copeland.
After falling ill at a show in Switzerland in late July, 1993, he was diagnosed in mid August with lung cancer which had metastasized to his liver, with an expected survival time of four months. Parts of his last album, Live '92/'93, were recorded at shows that September; he died shortly afterwards, in November.
Although this probably isn't Albert Collins' best album, it is significant for several reasons. Producer Bill Szymczyk, who had great commercial success with B.B. King on Indianola Mississippi Seeds obviously hoped to duplicate that for his own Tumbleweed label. To that end, an all-star assemblage of players were present for these sessions at the famed Record Plant West in Los Angeles. Highlights include a slashing guitar duel between Collins and Jessie Ed Davis.



Anonymous said...

Thank you for all these albums.
But... but I don't like your "new look".
Sorry, but thank you.

Alessandro from Rome, Italy

Mr_Crass said...

Thanks for this post.